Review: Wake Brewing Recommends
1782 - From The Graveyard
by Andy Daggett
March 26th, 2021 your new favorite doom band drops a bowl cashing album, From The Graveyard, that is punching the pulse of doom. 1782 has been busy since their start in late ‘18, putting out a full length, a split with Acid Mammoth, and then working on “Graveyard” last year. First listen automatically sends you to a realm with cloaked time keepers setting the scene with rhythmic bass and drums that keep bowls packing at a steady pace giving the guitar plenty space to fill your mind with so much low tuned fuzz you’ll have to cut it with an athame knife. Close your eyes and let the riffs of “Black Void” enter you, bringing you towards the sounds of water against rock and the smell of salt in the air, ushered into the water and encircled by cloaked ones, listening to their chants, dropping your robes and revealing your scaled skin under the moon. The cloaked ones keep their pace, whilst the leader chants, unveiling dragons of smoke trailing through the sky leaving aurora borealis trails blending the sky and the cosmos into one for the closing tracks “Seven Priests” and “In Requiem.” 1782 know how to write without using filler; the riffs and notes are purposefully there. Instead of long build ups, the band throws you in the salty marshes leaving you to pull yourself out, reborn into their coven. Catch “The Chosen One” over at 1782doom.bandcamp.com. Listened with headphones and through a system, and I can’t wait to pick one of the vinyl up and soak up that tone. Especially for the drop 3:20 min into Priestess of Death, BANGER! FFO: Electric Wizard, Sleep, Conan
Heretical Sect - Rapturous Flesh Consumed
by Andy Daggett & Adam Hurlburt